Halloween is a secular holiday combining vestiges of traditional harvest festival celebrations with customs more peculiar to the occasion such as costume wearing, trick-or-treating, pranksterism, and decorative imagery based on the changing of the seasons, death, and the supernatural. It takes place on October 31.

Though it was regarded up until the last few decades of the 20th century as primarily a children's holiday, in more recent years activities such as costume parties, themed decorations, and even trick-or-treating have grown increasingly popular with adults as well, making Halloween a celebration for all ages. 

What does the name 'Halloween' mean?
The name Halloween (originally spelled Hallowe'en) is a contraction of All Hallows Even, meaning the day before All Hallows Day (better known today as All Saints Day), a Catholic holiday commemorating Christian saints and martyrs observed since the early Middle Ages on November 1.

How and when did Halloween originate?
According to the best available evidence, Halloween originated as a Catholic vigil observed on the eve of All Saints Day, November 1, in the early Middle Ages.
It has become commonplace to trace its roots even further back in time to a pagan festival of ancient Ireland known as Samhain (pronounced sow'-en or sow'-een), about which little is actually known. The prehistoric observance is said to have marked the end of summer and the onset of winter, and was celebrated with feasting, bonfires, sacrificial offerings, and homage to the dead.
Despite thematic similarities, there's scant evidence of any real historical continuity linking Samhain to the medieval observance of Halloween, however. Some modern historians, notably Ronald Hutton (The Stations of the Sun: A History of the Ritual Year in Britain, 1996) and Steve Roud (The English Year, 2008, and A Dictionary of English Folklore, 2005), flatly reject the popular notion that the Church designated November 1st All Saints Day to "Christianize" the pagan holiday. Citing a lack of historical evidence, Roud goes so far as to dismiss the Samhain theory of origin altogether.
"Certainly the festival of Samhain, meaning Summer's End, was by far the most important of the four quarter days in the medieval Irish calendar, and there was a sense that this was the time of year when the physical and supernatural worlds were closest and magical things could happen," Roud notes, "but however strong the evidence in Ireland, in Wales it was May 1 and New Year which took precedence, in Scotland there is hardly any mention of it until much later, and in Anglo-Saxon England even less."
It seems reasonable to conclude that the connection between Halloween and the pagan Irish festival of Samhain has, at the very least, been overstated in most modern accounts of the holiday's origin.

Earliest Halloween customs
The earliest documented customs attributable to Halloween proper grew out of the tandem observances of All Saints Day (November 1), a day of prayer for saints and martyrs of the Church, and All Souls Day (November 2), a day of prayer for the souls of all the dead. Among the practices associated with Halloween during the Medieval period were the lighting of bonfires, evidently to symbolize the plight of souls lost in purgatory, and souling, which consisted of going door-to-door offering prayers for the dead in exchange for "soul cakes" and other treats. Mumming, a custom originally associated with Christmas consisting of parading in costume, chanting rhymes, and play-acting, was a somewhat later addition to Halloween.
Again, however, despite the obvious similarities between old and new, it may be an exaggeration to say these medieval customs "survived" to the present day, or even that they "evolved" into modern Halloween practices such as trick-or-treating. By the time Irish immigrants brought the holiday to North America in the mid-1800s, mumming and souling were all but forgotten in Ireland itself, where the known Halloween customs of the time consisted of praying, communal feasting, and playing divination games such as bobbing for apples.
The secular, commercialized holiday we know in America today would be barely recognizable to Halloween celebrants of even just a century ago.

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    Were the First Artists Mostly Women?

 

Three-quarters of handprints in ancient cave art were left by women, study finds.

  

Women made most of the oldest-known cave art paintings, suggests a new analysis of ancient handprints. Most scholars had assumed these ancient artists were predominantly men, so the finding overturns decades of archaeological dogma.

Archaeologist Dean Snow of Pennsylvania State University analyzed hand stencils found in eight cave sites in France and Spain. By comparing the relative lengths of certain fingers, Snow determined that three-quarters of the handprints were female.

"There has been a male bias in the literature for a long time," said Snow, whose research was supported by the National Geographic Society's Committee for Research and Exploration. "People have made a lot of unwarranted assumptions about who made these things, and why."

Archaeologists have found hundreds of hand stencils on cave walls across the world. Because many of these early paintings also showcase game animals—bison, reindeer, horses, woolly mammoths—many researchers have proposed that they were made by male hunters, perhaps to chronicle their kills or as some kind of "hunting magic" to improve success of an upcoming hunt. The new study suggests otherwise.

"In most hunter-gatherer societies, it's men that do the killing. But it's often the women who haul the meat back to camp, and women are as concerned with the productivity of the hunt as the men are," Snow said. "It wasn't just a bunch of guys out there chasing bison around."

Experts expressed a wide range of opinions about how to interpret Snow's new data, attesting to the many mysteries still surrounding this early art.

"Hand stencils are a truly ironic category of cave art because they appear to be such a clear and obvious connection between us and the people of the Paleolithic," said archaeologist Paul Pettitt of Durham University in England. "We think we understand them, yet the more you dig into them you realize how superficial our understanding is."

Sex Differences

Snow's study began more than a decade ago when he came across the work of John Manning, a British biologist who had found that men and women differ in the relative lengths of their fingers: Women tend to have ring and index fingers of about the same length, whereas men's ring fingers tend to be longer than their index fingers.

 

These hand stencils found in the El Castillo cave in Cantabria, Spain, were probably made by a man (left) and a woman (right), respectively.

Photographs by Roberto Ontanon Peredo, courtesy Dean Snow

One day after reading about Manning's studies, Snow pulled a 40-year-old book about cave paintings off his bookshelf. The inside front cover of the book showed a colorful hand stencil from the famous Pech Merle cave in southern France. "I looked at that thing and I thought, man, if Manning knows what he's talking about, then this is almost certainly a female hand," Snow recalled.

Hand stencils and handprints have been found in caves in Argentina, Africa, Borneo, and Australia. But the most famous examples are from the 12,000- to 40,000-year-old cave paintings in southern France and northern Spain. (See "Pictures: Hand Stencils Through Time.")

For the new study, out this week in the journal American Antiquity, Snow examined hundreds of stencils in European caves, but most were too faint or smudged to use in the analysis. The study includes measurements from 32 stencils, including 16 from the cave of El Castillo in Spain, 6 from the caves of Gargas in France, and 5 from Pech Merle.

Snow ran the numbers through an algorithm that he had created based on a reference set of hands from people of European descent who lived near his university. Using several measurements—such as the length of the fingers, the length of the hand, the ratio of ring to index finger, and the ratio of index finger to little finger—the algorithm could predict whether a given handprint was male or female. Because there is a lot of overlap between men and women, however, the algorithm wasn't especially precise: It predicted the sex of Snow's modern sample with about 60 percent accuracy.

Luckily for Snow, that wasn't a problem for the analysis of the prehistoric handprints. As it turned out—much to his surprise—the hands in the caves were much more sexually dimorphic than modern hands, meaning that there was little overlap in the various hand measurements.

"They fall at the extreme ends, and even beyond the extreme ends," Snow said. "Twenty thousand years ago, men were men and women were women."

Woman, Boy, Shaman?

Snow's analysis determined that 24 of the 32 hands—75 percent—were female. (See "Pictures: Prehistoric European Cave Artists Were Female.")

Some experts are skeptical. Several years ago, evolutionary biologist R. Dale Guthrie performed a similar analysis of Paleolithic handprints. His work—based mostly on differences in the width of the palm and the thumb—found that the vast majority of handprints came from adolescent boys.

For adults, caves would have been dangerous and uninteresting, but young boys would have explored them for adventure, said Guthrie, an emeritus professor at the University of Alaska, Fairbanks. "They drew what was on their mind, which is mainly two things: naked women and large, frightening mammals."

Other researchers are more convinced by the new data.

"I think the article is a landmark contribution," said archaeologist Dave Whitley of ASM Affiliates, an archaeological consulting firm in Tehachapi, California. Despite these handprints being discussed for half a decade, "this is the first time anyone's synthesized a good body of evidence."

Whitley rejects Guthrie's idea that this art was made for purely practical reasons related to hunting. His view is that most of the art was made by shamans who went into trances to try to connect with the spirit world. "If you go into one of these caves alone, you start to suffer from sensory deprivation very, very quickly, in 5 to 10 minutes," Whitley said. "It can spin you into an altered state of consciousness."

The new study doesn't discount the shaman theory, Whitley added, because in some hunter-gatherer societies shamans are female or even transgendered.

The new work raises many more questions than it answers. Why would women be the primary artists? Were they creating only the handprints, or the rest of the art as well? Would the hand analysis hold up if the artists weren't human, but Neanderthal?

The question Snow gets most often, though, is why these ancient artists, whoever they were, left handprints at all.

"I have no idea, but a pretty good hypothesis is that this is somebody saying, 'This is mine, I did this,'" he said.

THE AMERICAN REVOLUTIONARY WAR

 

In 1763 AD England won the French and Indian War against France. To pay for that war, the English government began to make the English-speaking settlers pay more and more taxes. This brought the English a lot of money, but it made the settlers more and more angry. They were especially angry because they couldn't vote or speak for themselves in England about these taxes. The settlers said this was "taxation without representation" and it was wrong.

The settlers decided to boycott everything they had been buying from English traders - they would not buy their tea, clothes, glass, paper, and so on (This is when many Americans began to drink coffee). To show that they meant it, in 1773 they threw a lot of tea on an English ship overboard, into the ocean - this is called the "Boston Tea Party."

In 1775, two years later, the first shots were fired in Massachusetts.

 

England and the United States were now at war.

George Washington was the commander in chief of the United States' army. At first he won, and on July 4th, 1776 the United States government published the Declaration of Independence. But then the English government sent lots more men to fight and soon the United States was losing the war.

 By 1781, the United States (with the help of the French general Lafayette, other French soldiers, and lots of French money) had won several big battles. So in October the English army surrendered to George Washington. That was the end of the Revolutionary War.

Medieval European History     

 

The Dark Ages. That's one of the terms used to describe nearly 1000 years of history-a history that is often hard to understand due to a lack of surviving documents, and often is clouded by myth and legends. Western Europe was under the rule of hundreds of feudal lords and kings. Castles dominated the landscape, and entire cities were built behind protective walls.

The Roman Empire formally legalized Christianity during the 4th century, and soon afterward, the zeal and evangelism of practitioners spread this faith throughout Western Europe as far west as Ireland. The Church would be one of the most powerful medieval institutions, controlling publication of books and the making of laws. Much of medieval Europe's art and architecture has a direct connection to the Christian church.

 

Knights, soldiers, peasants and pilgrims marched along European roads and trails during the Crusades and brought back with them stories of differing cultures, and began to adopt their architecture, tales of Romance, and advances in medicine. Trade was both a blessing and curse. Merchants began importing silks, cottons and rare spices from all over the known world. But these ships would also bring the horror that became known as the Black Death. The disease ravaged Asia, before wiping out nearly one-third of Western Europe.

Wars took their toll, from William the Conqueror's invasion of England in 1066, to the Hundred Year's War that ended in 1453, there were few years that didn't see battles raging in some part of Europe. This was an era of siege warfare-catapults, trebuchets, battering rams, and towers. Men fought hand-to-hand in the thousands in bloody conflicts using swords, axes, longbows, crossbows, stones and daggers.

 

Medieval Europe saw some humanity-changing developments, such as Gutenberg's moveable types press in the middle of the 15th century. This would bring printed material to the masses, and improve communication between societies. Marco Polo would popularize the account of his voyage to the Orient, and intrigue Europeans about this exotic land.

 

Through these centuries, Europe was slowly waking from a harsh slumber, and begin to sow the seeds of a Renaissance.